If it weren’t for the politics and events of the last 8 months or so, Cleverman would just be a middling science fiction series discussing the endemic social schisms that exist today. Despite some good, as well as internationally recognizable talent such as Iain Glenn (Game of Thrones) and Frances O’Conner (The Missing), it is often ham-handed and rushed.
The first series was intriguing on a purely cultural level for me. Out of Australia, this show uses the aboriginal myths and template to posit a recently discovered race of long-lived, powerful hominids that have co-existed with humans. All manner of racism and fear ensue (and a lot of really, really bad wigs). But by crossing the idea with aspects of The Dreaming, other metaphysical concepts, and some truly screwed up families, you got enough to keep you watching the journey of the main character played by Hunter Page-Lochard (The Sapphires). It built to an inevitable crescendo of violence that ensured you’d watch the next series.
Series 2 improved a little in its subtleties and information. We get to understand more…and cringe more. The family drama continues to compound and the relatively unknown Rob Collins tries to bring credibility to a ridiculously overwrought story-line. With only six episodes again this series, the writers were forced to rush their ending and left us hanging in rather frustrating, if again intriguing, ways. I (think) I know how they write themselves out of the final moments, but I’ve no clue where they are going to take it from there that won’t make the series more Planet of the Apes than, say, Gattaca.
Generally, Cleverman isn’t a great series, but it is probably different enough, and short enough in episodes, to keep you hooked. Given the improvements from the first series to the second, I’m hoping that a final or continuing series will continue to build on lessons learned.