Like his award-winning Gloria, this award-winning film by Sebastián Lelio focuses tightly on an individual woman’s experience of family and death. He re-teamed with Gonzalo Maza to write the script as well. Daniela Vega, who brought her very real experiences to the set and story as a consultant and who ended up playing the lead role, is powerful in her portrayal.
The story is a simple one and one almost everyone has experienced: The death of a family member and the resulting fallout and personalities that are released. Admittedly, Vega’s character and situation add some wrinkles to everything, and certainly serves to expose a seething sort of bile in a good number of Santiago’s residents, but the situation itself is common. While the story is quiet, it is held so taut in Lelio’s hands as to make emotions sing even while Vega navigates it all with a calm reticence.
Also like Gloria, A Fantastic Woman taps into emotions anyone can understand and mines a deep intensity in its characters with few words and simple gestures. It is a beautiful film and emotionally battering at times. While it doesn’t quite reach the same triumphant moment in its finale as Gloria, it makes its point nonetheless. Just be prepared to look up the opera reference unless you know your music really well or your subtitles are better than mine were (which didn’t translate the obviously important lyrics). If it weren’t for that choice at the very end, which shifts from an emotional core to something a bit more intellectual, this would have been a five star movie. That shift, however important and poignant, took some of the intensity and deflected it for me. It did not in any way ruin the film.
See this one when you get the chance. And keep Lelio on your list of directors to follow. He has an uncanny ability to strip away the surface of a character and present the core in wonderful ways.