Making war real on screen is incredibly challenging. Making it personal without losing the greater issues is even harder. A Private War, much like the writings of its subject Marie Colvin, manages to do both.
It succeeds thanks to both the behind-the-scenes guidance and the on-screen talent. However, even with the likes of Jamie Dornan (Robin Hood), Tom Hollander (Bird Box), and Stanley Tucci (Patient Zero) on screen, the only person that matters, the only story as her character would have put it, was Pike’s Colvin. Rosamund Pike (Gone Girl) is this movie. Though I will say that Hollander delivers an uncharacteristically understated and sobering performance as Colvin’s bureau chief.
Colvin states it in her own words at the top of the film: fear comes later. Marie Brenner’s (The Insider) script captures how controlled and confident Colvin’s character was in war, and what a mess she was outside of it. An added aspect to this film’s success was director Matthew Heineman’s documentary roots. He manages to step back from the action to allow the story to tell itself.
In a growing collection of on-screen news-related tales, this one is a bit different. It isn’t about newspapers saving the world, like The Post, or destroying the world, like The Front Runner, or even being manipulated, like Vice. It is about war and the human cost on all sides. It is about what drives people to risk their lives to bring us the truth, without glorifying their choices.
In a fluke of the story and the timing, I was watching the film almost 7 years to the day from the last moments of the action, which provided one of the most chilling aspects of the film. I found myself doing the math and realizing that the horror of Homs, Syria being portrayed may have been from 7 years ago…but it was still going on today despite Colvin and other’s efforts and risks to get the world to notice; a final gift of the film reminding us that it is still up to all of us to act and not just observe.