Yes, the millionth-and-first end of the world movie. But, much like the recently viewed Last Night, this one is more contemplative although with a bit more action and violence thrown in. And while it’s a little predictable, there are some nice variations and sense of motivation helping lift the story.
For a first feature, Aleem Hossain wrote and directed his story with a sure and clever hand. The world and story aren’t over-explained, some things are just inferred or hinted at. And the resolution is both hopeful and weird but still manages to be romantic and obvious.
Brian Silverman does a nice job carrying the movie as a n’ere-do-well who’s turned the page on his life. And Anita Leeman Torres adds a subtle sub-plot to it all that allows for a lot of satisfying interpolation. The rest of the cast is, frankly, a bit over-wired, particularly Clay Wilcox. The choices can all work, but they felt too much like stock bad-guy decisions rather than organic decisions.
There is enough world-building in this story, even with the inconsistencies, to make it stand out. And there is enough tension and action to keep you connected even with the slower pace thanks to the story and the editing. I appreciated the movie and my time spent with it. Houssain has an interesting eye and an opportunity to build on a solid foundation with this first film. I’d definitely be curious to see what comes next.