It is sometimes hard to remember how much the world has changed in the last 60 years. Despite recent setbacks, in general the world and humanity have matured as the distance and time between global points has diminished, and become more accepting of those around them. The sense of “otherness” is becoming common place rather than exotic. To survive, we have realized that we must embrace those around us rather than fight or feeling threatened. Hey, I did say “in general.”
But back as recently as the 1950’s, homosexuality was still a crime in most of the world, punishable by prison. Peter Wildeblood, a London journalist in that era, was caught up in the hypocrisy of his time and was part of the infamous Lord Montagu of Beaulieu trial. Alongside Alan Turing, one of the other notable attacks on so-called inverts at the time.
Wildeblood, in this portrayal, is given life by Daniel Mays (Byzantium). He is the story, though he has some nice support from those around him. And, inter-cut into the movie are interviews with men from the era who recount their experiences and reactions. It is an interesting counterpoint but it does make the rest feel a bit more clinical than emotional, despite a rousing conclusion to the film as it comes into the present.
After prison, Wildeblood fought in the only way he knew how, by writing about his life, the trial, and declaring himself to the world and, specifically, to the Wolfenden committee. The committee ultimately declared “homosexual behaviour between consenting adults in private should no longer be a criminal offence.”
While this seemingly groundbreaking report was delivered on 4 Sept, 1957, it would be almost 10 years before the laws in Britain would begin to change. On 27 July, 1967, homosexuality between consenting adults of 21 years or older was decriminalized. And it wouldn’t be until 1994 that the law was brought into full parity with non-homosexual relationships and the age of consent dropped to age 16. There is a wonderful overview of of non-conforming individuals in a series of monologues produced by Mark Gatiss (Denial) also in this film, called “queers.” which I highly recommend; writer Writer Brian Fillis (An Englishman in New York ) also wrote one of the monologues in queers.
Against the Law is an effective, if not entirely a solid film. Its intention is to educate and remind. On those counts it does admirably. And Mays provides a sympathetic focus, though a somewhat stunted arc as a character due to the structure. Still, I can recommend this based on his performance and the impact of the included interviews.