American Assassin

[3 stars]

There is a lot that this movie gets right. A lot that it gets close. And a few things it just gets very wrong. But, overall, it is a very surprising and intense spy thriller.

From the beginning of the movie, you know you are in for something a bit more raw than what the genre usually delivers. This isn’t the slick of Mission Impossible or Bond, this is a brutal attempt to put you in the position of experiencing terrorism first-hand. And Dylan O’Brien (Maze Runner: The Death Cure) really comes into his own and out of his teen years with this part. Helping the young O’Brien cross-over into an adult role is where director, Michael Cuesta (Homeland), did some of his best work with his actors.

Michael Keaton (Spider-Man: Homecoming) also delivers some nice moments and, generally, a good performance. But there aren’t a lot of women in good roles here. Sanaa Lathan (Now You See Me 2) is strong, but never really feels in control. Her effect on the action is minimal since no one is really listening to her orders a good part of the time. And when they do, you don’t often get the feeling it was because she held control so much as they were going to do it anyway.

On the other hand, some of the men are equally underwhelming. Taylor Kitsch (Battleship) is a bit forced in his psychosis. The script didn’t help Cuesta or Kitsch on that point. And a small bit by David Suchet (Agatha Christie: Poirot) is simply a throw-away and waste of his talent.

Cuesta, in an attempt to keep things visually clear, also makes his covert ops folks some of the worst and obvious surveillors in history. They all stick out in a crowd like pustules on an infant rather than blending in, which rather weakens the credibility of their capability. And then there is the finale, which is both brave and impressive, but also with a couple things quite wrong. I won’t spoil it here, nor ruin your enjoyment of it should it not be obvious, but it did bug the heck out of me even while I was enjoying it.

This is a good ride of a movie. More violent than many American spy films, but within reasonable boundaries. I’m not sure what I expected going in, but it gave me a layered story and enough surprising moments to keep it flowing along. As O’Brien’s transition film, he really was the big winner here.

American Assassin

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