Much like my comments about Altered Carbon, Annihilation is an actual piece of science fiction intended to inspire thought rather than just show off effects. Not a huge surprise given this is the follow-up feature for Alex Garland after his surprise hit Ex Machina. So strap in for a taught, but paced story that explores the definition of life, the waging of war, and the question of intention while still managing to have a highly intimate tale as its core. I’m not saying it is without flaws…there are definitely some gaps in logic and some forced choices, but it is generally rather well done.
In addition to tackling large topics, it is also an almost all female driven tale. With Natalie Portman (Song to Song) at the helm as a credible ex-military/current-biologist, the motley collection of women head off into the unknown. Jennifer Jason Leigh (Morgan) is the next most impactful character, again both strong and intelligent, if a bit odd and lost at times. Rounding out the group are Tessa Thompson (Thor: Ragnarok) and Tuva Novotny (ID: A) in two distinctly differing portrayals of what a troubled adulthood can look like. The last member, and surprisingly least credible, was Gina Rodriguez (Jane the Virgin). To be fair, Rodriguez was given a tough task and, frankly, was left hanging more by the script than her own petard.
There are some men in the mix in integral roles as well, but they are side-characters. Despite the lack of lines and screen time, Oscar Isaac (Star Wars: The Last Jedi) and Benedict Wong (Doctor Strange) do well.
As this is adapted from a trilogy by Jeff VanderMeer, don’t expect complete closure nor complete answers. In fact, I don’t think Garland would have been happy if there were pat answers to it all. And while this is a major studio release, it has much more of a sense of an indie to it. Despite a budget almost 50 times that of his previous film, Garland clearly told the story his way. Sadly, that is also going to cost him and the flick at the box office, but hopefully it will eventually find its audience and its place. It is a gorgeously filmed piece and with enough meat to make multiple viewings both desirable and enjoyable; assuming, of course, you’re there for the story and not just looking for empty entertainment and action.
As a final sort of spoilerish (but not much) comment, the ending goes off into 2001 land by way of a particular puzzle in the first Tomb Raider game. Given the set up and explanations, the choices are all fair, but I have to admit the imagery rang in my brain a bit more than I’d have liked it to at the climax. Regardless, I still think it was worth my time and that Garland has an interesting career ahead of him.