Imagine Close Encounters of the Third Kind, 2001: A Space Odyssey, and Nightflyers all melded into one. In many ways, this is what Nighflyers wanted to be, but missed on so many levels. But Another Life is much more space opera than it is science fiction. Science is, at best, a convenient idea to be used or changed as needed (yes, even worse than Star Trek because it feels more like science fiction). Knowing that going in, despite the trappings of the show, will keep you from getting agitated later (assuming you care about such things).
Katee Sackhoff (2036: Origin Unknown) delivers a complex and strong female leader. Admittedly, the script has her doing some stupid things at times, but her emotional core is solid. The rest of the shipboard cast, with two exceptions, do well too. Samuel Anderson (Doctor Who, DCI Banks) navigates a difficult road to sentience…your mileage may vary on the results, but it is still a complicated performance. Likewise Blu Hunt, A.J. Rivera, Alex Ozerov (Cardinal), and JayR Tinaco created shipboard life that is at once interesting and, in some ways, ridiculous. But that is more a problem of the Space Opera approach than it is the actors.
Unfortunately, there were also some weaker, or at least uneven performances as well. Top among those were Jake Abel (Love & Mercy) and Jessica Camacho (The Flash). Neither had a subtle bone in their body and, in the case of Abel especially, no presence whatsoever. Back on Earth, Selma Blair (Anger Management), who I normally enjoy, was just as imprecise and unreal in her pivotal role, which was a shame.
The other main Earth-locked cast was fairly solid. Justin Chatwin (Doctor Who: The Return of Doctor Mysterio) and the young Lina Renna make a great anchor for Sackhoff’s character.
Creator Aaron Martin has a diverse writing background on shows from Degrassi: The Next Generation, to Being Erica, and SyFy romp Killjoys. He isn’t afraid to push limits or relationships and it shows. This series takes a very matter-of-fact approach to the broad spectrum of sexuality that only Sense8 has really challenged in the genre so far. This isn’t the driver for the action, but it certainly adds some nice aspects to the characters and story.
The story also attempts, rather ham-handedly to be honest, to raise the challenge of understanding an alien mind. How much human psychology can you assign to actions and questions an alien raises? How closely will AI evolve to be like or dislike its creators?
I can’t say I ever was sure of the title: Another Life. It has interesting resonance throughout the story, changing as it goes. By the end of this first series I was still unsure of the intention, but had flipped through various options. Perhaps that was the point, but it never felt reflected in the characters.
This show is also a great example of being better streaming than it would have been on broadcast. The story is relentless, ending episodes on intriguing points or cliffhangers and starting off, often, with new situations. In other words, it pulls you along nicely for a binge. If, however, it had been released on a 1-a-week schedule, it would never have hooked in a audience because of that rhythm.
For some interesting distraction, this is a fun series. I’m hoping that it not only gets a second round, but that they learn from this first and take the scripts up a notch. It wouldn’t take much to take it to a higher level and really build out a franchise.