After the intensity of Avengers: Infinity War, Ant-Man and the Wasp is a welcome romp. Of course, the big question going into this latest Marvel Phase III movie was where it was going to fit with Avengers: Infinity War. Would we get answers? Would we get hints? So let’s get it out of the way: this tale takes place between Civil War and Infinity War. The logic to keep them all separate from the global goings-on is a bit tortured and led, comedy-forward, by Randall Park (The Hollars). It takes a bit to piece together the situation, but director Peyton Reed (Ant-Man) returns to nicely expand the world of this lesser-known and slightly weird character and fill us in.
For instance, we get a lot more on Michael Douglas’s (Unlocked) Pym, and it is far from complimentary. Evangeline Lilly (The Hobbit: The Battle of the Five Armies) also gets to kick a lot more butt and drive a lot more story. Even the comic trio led by Michael Peña (Collateral Beauty) gets to move on to some new situations, though their humor and characters are more or less the same.
Some of the better aspects of casting were the addition of Michelle Pfeiffer (Murder on the Orient Express) and Hannah John-Kamen (Ready Player One), who bring some welcome female strength and some interesting characters to the MCU. Laurence Fishburne (Passengers) also has a few nice moments and an important role to play.
Interestingly, Paul Rudd (Mute) is more a passenger in this installment. It isn’t that he doesn’t do a lot, but his character doesn’t really expand…he is more the foil for everyone else, even his screen-daughter Abby Ryder Fortson. He’s a solid foil, but don’t expect a lot of character growth.
The story of Ant-Man and Wasp is somewhat expected based on the first movie, but the use of the technology has taken some inventive and considered leaps. The fights, in particular, really think through the possibilities and have great fun using it.
As a summer snack while we wait for more on Infinity War and as a set-up for yet more tales and more characters, this is great fun if still not the strongest character line in the MCU. Of course, there is a tag (or two). Stay for them if you want to know more.
[Sidenote: This is the first film (or at least major film) where I’ve seen the San Francisco skyline redefined by the Salesforce Tower. For decades, the Golden Gate Bridge, Fisherman’s Warf, and the Transamerica Building were the indicators for the city. With Ant-Man and the Wasp, the establishing shots focused on the skyline’s new tower. It isn’t often a city gets redefined; just interesting to note.]