Assassin’s Creed

Well, it is certainly a pretty film. Yep, that’s about it.

I hate seeing potential unrealized, especially when a good idea (not making a movie of a game, but the base concept) and a truly talented cast are brought together. Michael Fassbender (X-Men: Apocalypse) and Marion Cotillard (April and the Extraordinary World) are usually hypnotic on screen. They are masters of hidden depths and small gestures. This script gave them no quarter despite their efforts. Even the additions of Jeremy Irons (Man Who Knew Infinity), Charlotte Rampling (45 Years), Essie Davis (Miss Fisher’s Murder Mysteries), Brendan Gleeson (Song of the Sea), and Michael Kenneth Williams (When We Rise) couldn’t help it over the top to something good.

I get the sense that Fassbender brought in his previous Macbeth collaborators to save his passion project; Kurzel to direct and Leeslie to rewrite the script. But it wasn’t enough to overcome the work by the writing team of Cooper and Collage (Allegiant, Transporter Refuled). The characters have shifting motivations and the tale has incomplete logic and massive gaps. And, frankly, no one you really care about in the story.

Generally, there isn’t enough for lovers of the game series, nor enough to bring in those that have no previous investment in that universe. That pretty much makes it a pointless couple of hours and a dead end for what should have been a solid franchise. I know a number of you will still want to ignore these comments, as I ignored other’s, and will sit down to watch it. Just remember, I tried to stop you.

Assassin

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