Edgar Wright is known for his outlandish films. From the Cornetto Trilogy (Worlds’ End, Hot Fuzz, Shaun of the Dead) to Scott Pilgrim he attacks the worlds of his films with complete commitment. It makes them unique and, often divisive with a reduced audience, but always, to my mind, a fun experience. It has also garnered him a pile of awards and nominations.
Why bring all of that up for what is, arguably, a basic car-chase film styled as a long music video? Because that description, however apt, sell the experience of the movie short by a few leagues. The craft in the construction and look of this wonderful piece of escapism is evident from the opening and carries through to the final frames. It takes a very human response to music, applying the songs we hear to our real lives, and turns that into the focus of a young man’s grip on the world, the life he’s carved out for himself, and the trouble he’s attempting to escape. And, of course, there’s a romantic relationship or two to mix it all up.
Ansel Elgort (Men, Women, Children) drives this film, no pun intended, with a quiet intensity and focus. His performance is very reminiscent of Miles Teller’s in Whiplash…a mono-maniacally focused youth on the cusp of life. He and Lily James (Pride and Prejudice and Zombies) make a great couple that you could see at the center of any John Mellencamp video. It is the sweet purity and desperation of their attachment that gives the otherwise crazy tale of robbery and mayhem a focus and purpose.
There are a host of great actors around Elgort that kick the story into gear. Kevin Spacey (Nine Lives) as the conductor of it all is a perfectly calm and scary criminal mastermind; a role he always plays well. Jon Hamm (A Young Doctor’s Notebook) and Eiza González (Jem and the Holograms) play a creepy Bonnie and Clyde that dominates the screen nicely when they’re present. Even Jon Bernthal (The Accountant) and Flea make an appearance. Jamie Foxx (Sleepless) quickly rises to the top as the irritant in the smooth workings of the story. He is both believable and a curiosity. Criminals that crazy don’t tend to survive as long as he has…I’d like to have understood a bit more about him, but as a catalyst, he served his purpose well. As a character he left me scratching my head and a little dubious. But, in the structure and intent of the film, I gave the concerns a pass.
From the top of the movie, you know it is all going to go off the rails at some point. You aren’t entirely sure when, how, or where it will end up, but it is clearly an unstable and untenable balancing act. When it all goes south, it goes with intensity and absurdity. It also travels with one of the best soundtracks and driving scenes collected for screen. Think Transporter or Fast & Furious, but with a real script and characters, not just tongue-in-cheek nods to the audience.
There is a reason this was one of the surprise hits of the summer. It is funny, pulse pounding, and jaw dropping in its execution. It is also full of heart and joy. The ending is what it has to be to complete the intent…just go with it. This is ride worth making time for. My dings on its rating are purely for some of the believability gaps that I think could have been filled. They bugged me just enough to keep it out of the five star range, but I really did enjoy the movie regardless.