I was a long time getting around to this first film by Eliza Hittman . In fact, I found her second, first: Never Rarely Sometimes Always. But it was the empathy and craft of that story that sent me back to her debut with Beach Rats. I’m late to the game to say she is someone to really watch, but it is still worth saying.
Hittman didn’t give us a likeable hero in her first film. Harris Dickinson (The Darkest Minds) is flawed in both endearing and truly ugly ways. But he is also trapped by circumstance and his own struggles. And Dickinson committed to all of that without reservation on screen. So much so that you aren’t sure if the movie is a coming of age story or a tragedy. And, frankly, you still won’t be by the end.
Hittman puts you so deeply into the point of view of Dickinson’s character that you completely inhabit his world. At points you even forget you’re not just watching through hidden cameras at his life. But despite being steeped in a sort of macho hell, Dickinson’s Frankie has two strong female influences in his circles: his mother, played by Kate Hodge and his girlfriend, Madeline Weinstein (Mare of Easttown). Both are quiet but strong influences, though whether they can break through to him is all part of the story.
And the tension of the story is drawn so taut that the ending is almost a release on its own. It’s clear this isn’t going to be a happy tale from the beginning, but it also isn’t without sparks of hope.
For a first film Eliza Hittman packed it with subtlety and power. It has been living on my list since its release in 2017, but I hadn’t had the nerve to spin it up. If you’ve been avoiding either of her films for fear of the subject, well, suck it up and make the time. These aren’t easy characters to love, but they are so very human and real as to encourage our commitment.