The better documentaries tell a story. Not just by showing the life and events of their subject, but also crafting a path through that information in a way that makes a point. Sometimes that point is solely the director’s, but when done well it sums up the subject’s experience. Eight Days a Week is a bit of both, by necessity.
There is so much to cover about the Beatles that director Ron Howard (Solo: A Star Wars Story ) chose to focus solely on the touring years. We see the band’s rise and the insanity of their tours, which were the largest ever conceived at that time, booking the first stadium tours in modern music history (I think, technically, the Greeks got there first long ago). Through photos, film, audio recordings, and lots of wonderful performances, we see what brings the Fab Four to their final touring stop: the roof of their studios in Jan 1969.
That well-known, semi-impromptu performance has been shown many times and in many ways. Through the frame of Howard’s edits, it becomes a happy and heart-breaking farewell without bringing in all the other stressors that history has happily posited and recorded. Howard doesn’t ignore the rest of the Beatles’ story, but there isn’t lots of background or discussion of the internal tensions that have been raked over many times before. But by framing the movie around the tours, their reaction to them, and those specific challenges, Howard does manage a slightly different view of the band than I’ve seen in other docus. It doesn’t present the whole picture, but it does illuminate some new corners of the band’s heyday.
If you have any interest in the band, their music, or the period, this is worth your time. But if you want a full picture of the story, you’ll have to watch additional documentaries and profiles to fill in the gaps and view all the facets.