This odd, black comedy has just enough heart to sell its premise, but not quite enough story to sell the movie.
Part of the problem is that Miranda Bailey selected her her first fiction feature to be one with a very challenging plot. It wasn’t helped by the fact that it was also a first feature script by by writer Glen Lakin. Negotiating through to an ending was never going to be for the feint of heart nor the light of experience. I’d really like to see what Bailey could do with a better script, given her relative success with this one.
There are some funny moments and some nice work by the cast. Jim Gaffigan (Hotel Transylvania 3: Summer Vacation), as the titular character, is affable and bumbling. But while he’s the framework for the story, he isn’t the lead. That belongs to his screen-son Logan Miller (Escape Room) who is coming into his own and uncovering secrets. There are several other good performances, but Isabelle Phillips, in her first major role, is the one standout. She brings a light and charismatic performance into the midst of the dark chaos Gaffigan’s character has wrought.
This is far from a great film. To be honest, it is, ultimately, unsatisfying. But there is some good work to enjoy and some nicely contained broad comedy to keep it together. I wouldn’t go out of your way to see it, but if you enjoy this kind of comedy or any of the actors, it isn’t a total loss of time.