This last year in film (and the world) has been one of evolution and, in some cases, revolution. With Black Panther, director and co-writer Ryan Coogler (Creed), has managed to both stick to the Marvel vision of super hero mythologies and remake them all at once. Like Wonder Woman (but with a better script), Black Panther is loaded with strong and smart female heroes as well as showing us a new view and venue for a story, never once touching down in the USA ( except for flashback and tag). It is also unabashedly fits into our current times, commenting upon world politics and the challenges that face the world. Oh, and it is also a hell of a lot of fun.
And Coogler managed to do all that while building on the tiny threads we’ve been getting about Wakanda, and amplifying smaller characters like Andy Serkis’s (War for the Planet of the Apes) Klaue and looping in Martin Freeman’s (Sherlock) Agent Ross. Of course we’d already met Chadwick Boseman (Captain America: Civil War), but we knew very little about him until now.
Now we see Boseman as a child and in his kingdom. He is surrounded by strong women without whom he would die more than once: Lupita Nyong’o (Queen of Katwe) as his top spy and love interest, Danai Gurira (The Visitor) as his General, Letitia Wright (Humans) as his scientist/sister, and Angela Bassett (Survivor, Chi-Raq) as his mother are all loaded with responsibility, brains, guts, and brawn. They all also have a healthy sense of humor and humanity about their young King; he doesn’t get a free ride anywhere. Each has some challenging storylines of their own, particularly Gurira.
There are also some standout performances in his retinue and world from Daniel Kaluuya (Get Out), Florence Kasumba (Emerald City), Winston Duke (Person of Interest), and Sterling K. Brown (This is Us).
But every hero must have his nemesis, and Michael B. Jordan (Creed) brings it with incredible style and ability. Jordan’s storyline, like the rest of the script, is far from simple. He also serves as an oddly uncomfortable voice for politics and society today while hearkening back through various movements of the last 40 years (and more).
I saw this in IMAX, which was glorious, but it is also the reason I had to ding the rating of the film. As good and fun as the script is, Coogler doesn’t quite know how to film up-close fight scenes for the truly big screen. He was a bit too close and cutting far too quickly in many cases, making what were clearly good choreographed scenes a blur. I plan on catching the film again on a standard screen, though probably not 3D, before too long. I’m curious to see if that will help with some of the issues.
So go see this, for so many reasons: great script and story, great humor, incredible visuals and action, and the shattering of many walls. I don’t know where they’ll take this in future, but Black Panther has earned his place among the Avengers as well as film history.