When making a sequel, the first question you really have to ask is: Why? And in this case, the writer of the original Blade Runner, Hampton Fancher, along with his new co-writer Michael Green, found an answer. And with Denis Villenuve (Arrival) at the helm, this new tale in the universe is gripping and inexorable as it moves along. In fact, while 2049 is almost three hours long, an hour longer than the Director’s Cut of Blade Runner, it feels shorter due to its editing and tension.
Unlike the original bottomless noir that was Blade Runner, this story is more a compelling personal journey for its main character, Ryan Gosling (Song to Song). It has light and hope, despite being sunk in the same ruined Earth and financial disparity that was established with that world 35 years ago. And yet, the story and world still feel timeless. And that is the interesting part, it still feels like it could be our dystopian future; now more than ever. A world of overcrowding, rampant poor, and authoritarian over-reach doesn’t feel that outlandish.
Villenuve managed to pay homage to the original story but create his own world all at once. Yes, if you have recently watched the first film, you will pick up nods and winks throughout, but it isn’t a copy of the original. The nods and mentions aren’t distracting ones, simply enough to make it clear that you never really left that universe. It isn’t a perfect story, but it is solid and complex. It will keep you thinking and wondering. That trick is attained thanks to the directing and, of course, the acting.
Along with Gosling’s subtle portrayal of K, there a number of women who fill out his world. Interestingly, his world is dominated by women. Primarily, Robin Wright (Rememory) as his boss walks an interesting line with him while Ana de Armas (Hands of Stone) provides the most interesting companion since Her. In addition, Sylvia Hoeks does a nice riff and counterpoint to Sean Young’s Rachel. And then there are the additional building blocks for the rest of his story: Hiam Abbass, Mackenzie Davis (Black Mirror) and Carla Juri (Morris From America). As I said, quite the list of influence.
This isn’t to dismiss the men. David Bautista (Guardians of the Galaxy) actually gives us a bit of real emotion in his role. Only Jared Leto (Suicide Squad) came off to me as oddly empty. He has the presence and the story (particularly if you watch the 3 prequel shorts that bridge the original and sequel), but not a lot of it gets to the screen. It would have distracted from Gosling’s story, to be sure, so I understand the choice. However, Harrison Ford’s (The Age of Adaline) role manages to feel more complete without much more screen time, and not just because we know his backstory, there is just more there in Ford’s performance.
Be aware, this is not an action flick. It is a slow-burn and very personal mystery. It is beautifully filmed and expertly edited and directed to keep it all moving along. The story is one worth telling, and while it would lead to yet another story, it is complete as it is. I do suggest watching the Director’s Cut of Blade Runner before viewing this, much as I suggested rewatching Terminator 1 & 2 before viewing Terminator: Genisys. Though Terminator was all about what was changing, Blade Runner is more about providing a real sense of grounding and appreciation for what will unfold before you.
In case it wasn’t obvious, in prep for this late-conceived sequel, I rewatched the original Blade Runner. To be more specific, I watched the Director’s Cut, followed by the final 3 scenes of the original version and the Final Cut for comparison’s sake. It was an interesting exercise. I chose the Director’s Cut as that best dovetails to this new expansion of the story. I have to admit, the Director’s Cut is hampered by its slow pacing due to the removal of the voice-overs but no additional editing of the screen time where it was excised. However, it is the closest storywise to enter 2049.
As a side note, I think one of the things I’ve come to finally realize is that Ridley Scott has made only one brilliant film in his life: Alien. Blade Runner blazed new ground, but it isn’t a wonderfully directed film, it is just a fascinating world and a good story that he got lucky enough to have control over. Blade Runner remains a powerful influence on cinema from the Hunger Games to Ghost in the Shell; the claustrophobic, elite-class dominated hopelessness appears again and again in film since its release. The fact that he recut it multiple times trying to say what he “really wanted to” tells you that he isn’t a great director. And certainly his ouvre that followed Alien has never equaled that incredible piece of heart-pounding terror and rich world.
But Scott isn’t part of this outing. This is all Villenuve and his ability continues to impress me. I can only hope that this film will find its audience as the original tale did. It is worth the time spent, especially on the large screen.