When Rupert Murchoch comes off as the good guy in a story, you really have to wonder about the base you’re starting from. There is a lot of surprising and disturbing information in this film, much of which was already known, but it is given life and context by director Jay Roach (Trumbo) and Big Short writer Charles Randolph with a frenetic energy and tight-lipped humor.
The most surprising aspect of this (as a movie), to me was that though the events are driven by Gretchen Carlson’s story, in the guise of Nicole Kidman (The Upside), and the core thread is pulled through by Margot Robbie’s (Once Upon A Time In Hollywood) fictional Kayla Popisil, it is Charlize Theron’s (Destroyer) Megyn Kelly who owns this movie. That isn’t just because she frames the story narratively, it is because she uttlerly disappears into the character in a terrifying way and owns the energy of it all.
That isn’t to say that Robbie isn’t, yet again, brilliant nor that Kidman isn’t believable and effective (though less so for me). It is simply to say that Theron has turned in another career setting performance that proves again her abilities. To be fair, part of the reason for this focus is likely because Carlson is still under a gag order and wasn’t even allowed to talk with the filmakers, so they had to be rather circumspect in their portrayal.
Sprinkled liberally throughout the movie are other good performances, such as Brigette Lundy-Paine’s (Atypical) assitant, Allison Janney’s (I, Tonya) NYC laywer, Kate McKinnon’s (Yesterday) liberal-out-of-water reporter, and, of course, John Lithgow’s (The Tomorrow Man) repugnant but self-righteous Roger Ailes. But these are all supporting roles to Theron’s drive.
And now a confession: I had no interest in seeing this movie. I didn’t want to support Fox in any way or provide it attention. OK, I was wrong. Though the subject matter is challenging, the message is important and the delivery entertaining. Whether you like the women involved, this story is universal (particularly for women, but also for more men than will ever admit it). I still don’t respect the on-air personalities of these people, but Bombshell makes them more into people and lifts the veil of entertainment from their public personas.
Bombshell should be seen by everyone…but by women and young girls in particular.