There are no breakout performances in this story, which is both its strength and its weakness. There aren’t breakouts because there are no forced moments and only a few intense ones. Much like life. I’m not suggesting this is easy to watch or not charged, but it doesn’t try to overly craft a climax or an epiphany. Boy Erased just lays out the events and lets them eat at you and, on occasion, shock you.
This is Lucas Hedges’s (Three Billboards Outside Ebbing, Missouri) film and journey. In some ways it expands on his recent Lady Bird turn, though that is a coincidence of releases rather than the intent. It is a quiet performance of personal struggle and is very tightly contained. At times it feels like it is too contained, but then the turmoil bubbles out, giving you a glimpse of the struggle.
Nicole Kidman (How to Talk to Girls at Parties) has the next most interesting character, as his mother. Her journey is probably the one that most gives us hope through the ordeal. But that doesn’t discount Russell Crowe’s (The Mummy) efforts as his father and local pastor who has his own struggles. It may sound strange to sound almost sympathetic toward him, but that is part of the impressive nature of this movie.
Joel Edgerton (Red Sparrow), as writer, director, and actor in this adaptation did an amazing job of presenting the tale, and doing so without demonizing people. There is a clear right and wrong, but generally people are doing what they do because they do believe and they do want to do the right thing. The fact that their world view is too twisted to see the truth is more of a tragedy than a plot. It would have been easier to make them look evil, but Edgerton chose to see them as people, however hateful they were (both of themselves and others). As a second time out directing, after The Gift, it is impressive. That said, he does bungle the penultimate moment of the film a little in an effort to maintain the energy levels he has created. It doesn’t fail, but it felt a bit off and it lost a little of its drive. The moment is still enough to propel us into the final sequence, so I won’t harp on it, but it is one of the main reasons this is a bit less than perfect.
Clearly this isn’t a “fun” film. It is the true story of a young man coming to terms with himself when the world around him is telling him he’s an aberration and damned. But, though this is obviously focused on a particularly frustrating issue, the lessons and message of this biopic apply to many aspects of life, making this pointed and general at the same time. It is an issue and story that everyone should see because it is, sadly, still a huge issue across this nation. And because, whether they admit it or not, we all have non-straight individuals in our circles and family. How you deal with that matters, and figuring out what is more important to you about those people (what you believe or who they are in your life) is a struggle for more people than we would ever like to admit.