Watching a train wreck occur is not something that usually appeals to me. But this painfully honest depiction of Lee Israel’s adventure in forgery is a fascinating look at what someone is capable of if sufficiently desperate and full of a sense of entitlement. It isn’t a pretty picture, but it is packed with bleak and dark humor served perfectly by Melissa McCarthy (The Happytime Murders) and Richard E. Grant (The Hitman’s Bodyguard). Their performances are at once moving and disturbing, and not just a little bit funny.
McCarthy, all to often goes for broad, slapstick humor. I’m sure it pays the bills, but it is wonderful to see her use her real skills…those that make her comedy work so well…to give us something a bit more memorable and serious. Grant, as well, creates an indelible character that lives on well after the movie in your mind. Both are worth consideration of all the awards nods they’ve wracked up, and I expect they will be seeing more.
While these two dominate the story, supporting performances by Dolly Wells (Boundaries), Jane Curtain, and Anna Deavere Smith (Black-ish) help push along the story solidly. In fact the recreation of NYC of the early 80s, particularly in the circles they traveled, is spot on.
Director Marielle Heller (The Diary of a Teenage Girl) is no stranger to darker material that needs to be handled with emotional care. The script by Holofcener and Whitty helps her out by finding a wonderful through-line that doesn’t feel forced or manipulated, even though it is obviously a fictionalization of the true events. Impressive for two writers without a many credits behind them. It never blinks and never makes an excuse for either main character. They are who they are…the title tells you everything you need to know about their attitudes.
You’ll be hearing about this film all through awards season, so make time for it. It will entertain, even with its dark filter, and it certainly is an unexpected ride.