Carrie Pilby

Pilby is a balancing act of coming-of-age and romance in about equal measures. While not perfect, it is very sweet and funny and doesn’t quite fit into any particular box thanks to its plot; Pilby’s age, combined with her intellect, helps it bridge a broader audience than you’d typically expect.

Now, I do have to admit that I may just be crushing a bit on Bel Powley (Equals). Powley’s characters are intelligent, witty, charismatic, vulnerable, and honest. Carrie Pilby is no exception, and she carries the movie admirably. She reminds me of a young Emma Stone or a less-edgy Ellen Page, though entirely her own persona.

Into Pilby’s life comes Colin O’Donoghue (Once Upon a Time), Jason Ritter (The East), and William Moseley (Chronicles of Narnia). Each has their qualities, but they are all really there for her to respond to as she finds her way. And while Ritter has some depth, and O’Donoghue is a recognizable rake, only Moseley feels entirely whole.

Amusingly, this film also matches up Gabriel Byrne and Nathan Lane again, close on the heels of No Pay, Nudity. And with Byrne in the lineup, almost all of the main characters in this comedy are from the UK, though only half are putting on an American accent.

As director Susan Johnson’s first feature, there is a solid sense of character. Johnson’s empathy is touching and her love of the character is clear. Indications of time passage still needs some honing, but there are enough clues to keep it all working. Find someone to share this with and make some couch time.

Carrie Pilby

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