I happen to be a serious Pooh fan. One of my most treasured items from childhood was my father’s copy of Winnie the Pooh, which became mine, which I handed down to my niece. There is something magical about the easiness with which Pooh and his friends approach and survive the world and its day to day joys and disappointments. They are are a blueprint for getting through modern life.
Marc Foster (World War Z) wasn’t an obvious choice as director, though he certainly tackles more emotional material as well. While he found the characters and a sort of balance for his movie between adult and child, it never quite got to magical for me. Which isn’t to say that it doesn’t eventually get to a sweet point; but, like a local train can, it sure took its time.
Ewan McGregor (Our Kind of Traitor) hits just the right tone of father, worker, and lost soul to neither scare children nor come across as too unbelievable for adults. And, as his wife, Haley Atwell manages something similar, though she has to stay a bit more bound to the real world by design. The only other major role was Mark Gatiss ( Doctor Who: Twice Upon a Time), who seemed to be in a different movie; something a bit more wacky than realistic. He isn’t bad, he just doesn’t fit.
Part of the challenge with the movie is the story itself, which has to set up a lot of information before it even gets going. Along with that they changed quite a bit of Milne’s history too–you cannot separate Milne’s family from Pooh easily, especially with other flicks out there like Goodbye Christopher Robin released so recently. Admittedly, this was not supposed to be about Milne, but I had a hard time separating the the intention and reality in this case.
The result is ultimately a nice, family-style adventure. Not a brilliant classic, but certainly a nice pass-time film. You can also see Disney rev’ing up to redo Mary Poppins, having stolen a good part of the main spine of that story and overlaying it here.