Colossal

You owe yourself this film before the summer movie scene, full of visual gluttony and silly distraction, kicks off in a couple weeks. It isn’t that I won’t be lining up for some of those films too, but Colossal is a wonderful, small film with layers and humor and some effects to boot. Nacho Vigalondo, who also brought us the unexpected and wonderful Timecrimes, wrote and directed this darkish look at ourselves. He clearly has a sharp eye and a wicked keyboard as he pulls together his stories. (BTW, if you haven’t yet found Timecrimes yet, do. Great fun!)

Script and story aside, without Anne Hathaway (Alice Through the Looking Glass) this film would have been significantly less than it is. Hathaway navigates the narrow line she has to walk brilliantly. It could have easily devolved into slapstick or horror, but she found the border between Kaiju and intimate, personal tale and balanced on it to the end.

Opposite her, Jason Sudeikis (Angry Birds) does a nice job balancing out Hathaway’s character, having his own issues to contend with. Along with his retinue of Tim Blake Nelson (Fantastic Four) and Austin Stowell (Bridge of Spies), many mirrors are held up and struggles revealed. Rounding out the cast and necessary complications, Dan Stevens (Legion) also provides a sounding board for Hathaway.

This isn’t an Oscar worthy film or a Pulitzer prize winning script, but it is clever, complicated, and complete, each cog finally fitting together. More subtle, are the choices and decisions that bring about the finale. Though it is not nearly as Byzantine as Timecrimes, Vigalondo was very careful in the structure of this film. It’s very unexpected nature and solid delivery have me rating it a tad higher than it probably deserves, but I love being happily surprised.

Enough said. Just go out and see and support this one before all the sugar of the summer rots your brain.

Colossal

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