Imaginary friends in psychological horror films are far from new. But this entry into the mix by Adam Egypt Mortimer (Archenemy) is actually rather well done. It manages to skirt all the questions such on-screen situations raise without committing to any one answer till it decides it wants to or needs to.
Miles Robbins (Halloween) is the main focus of this story, along with his “friend,” given creepy life by Patrick Schwarzenegger (Scouts Guide to the Zombie Apocalypse). The two have a fun dynamic that progresses by degrees as you’d expect it to. Adding fuel to the fire are romantic and artistic interest Sasha Lane (Utopia) and, as his mother, Mary Stuart Masterson (Blindspot).
Robbins spends the film balancing what he thinks he wants and knows, with what he fears is really happening. Chukwudi Iwuji (John Wick: Chapter 2) provides a voice of reason… mostly. By the time the wheels all come off, everyone’s choices become suspect, though Lane’s approach remains credible and strong.
Figuring out what this movie is going to be is half the fun. It isn’t easy to pick apart and doesn’t quite follow the paths you expect. In the end you get the story Mortimer intends, but whether that is one you’ll agree with or even like is going to be a matter of taste. He could have done more with it, but he also needed to keep the tale moving because his audience was going to constantly be trying to leap ahead. The pacing never really allows that to happen in a way that spoils the story. On purely craft grounds, I think this one is worth it if you like the horror genre. And it’s way more satisfying than the similar attempt (in craft) in the also recent Flashback.