Despite having one of the best posters and some of the worst cover art (see below) Deadpool 2 is as funny as the first, if not quite as surprising now that we know the shtick. In fact, it might have the highest ratio of referential jokes per minute ever (I’d love to see a counter on the disc when it is released akin to the original Taken’s body count meter).
Ryan Reynolds (The Hitman’s Bodyguard) continues to rip up the screen and unequivocally supply the energy for the film. His returning cast from the original Deadpool have fun as well, though there was far too little of Morena Baccarin and Leslie Uggams for me. I will say that T.J. Miller lost some of his game this round, though Karan Soni got to up his in some ways. On the other hand, Brianna Hildebrand had a similarly minor role but made more of it this time. And Stefan Kapicic’s Collosus got to have a bit more fun than his last outing.
As much fun as it was to see the old gang strutting their stuff, Zazie Beetz (Geostorm), Shioli Kutsuna (The Outsider), Eddie Marsan (The Limehouse Golem) and a smattering of fun surprise guests provide the real zazz to the remix. And Josh Brolin (Avengers: Infinity War) not only delivers, but gets to be part of another of the biggest films this summer; talk about great career choices. And speaking of great choices, perhaps the most surprising addition was Julian Dennison (Hunt for the Wilderpeople), who is probably very new to most audiences but who proved he could handle a major motion picture leap without blinking.
Reynolds joined Reese and Wernick in writing this sequel, which may explain the extreme density of the jokes, and director David Leitch (Atomic Blonde) took the franchise reigns well in this sequel. The overall effect isn’t quite as polished or paced as the original, but it acquits itself well by the end; it just has a rather long setup. And, it should be noted, in Marvel tradition, it has little gifts up through the end of the final credits. They also are continuing another more recent Marvel tradition of wickedly funny (and at times astute) music queues. If I have any real gripe with the script and character it is that Deadpool is still a bit more homophobic than the pansexual, which has more to do with current society than the original material.
So is it all you hoped for? Yes. Is it a worthy sequel? Yes. Does it set up yet more stories? Of course it does. Should you see it on big screen? You bet your red-clad ass. In fact, you may have to see it more than once to catch all the references. Deadpool is the perfect pallet cleanser for the avalanche of serious super hero stories. It reminds us you can have fun and carnage and even a certain amount of intelligence while it is all going on.