David Tennant (Staged) plays a great sociopath. He can go from affable to cold in a split second. But the interesting aspect of this 4-parter is that you don’t know if he is involved with the crime or not till near the end. That’s a credit not just to Tennant but also to writer Daisy Coulam (Grantchester) and the somewhat less storied director Lynsey Miller.
The series itself has a familiar tenor…small Scottish village experiences a tragedy and all the secrets come spilling out as the seams that bind the residents together fall apart. It’s a tried and true formula that has been echoed across the globe for entertainment, but particularly around the UK.
While Tennant is the the better known face in the cast, he’s part of a great ensemble. Cush Jumbo (Vera) is his primary foil, even though it is Anna Madeley (The Children) who plays his wife. And Matthew McNulty (Doctor Who), as Jumbo’s partner, has his own path to forge. Around the periphery is Maureen Beattie (The Decoy Bride) as Tennant’s mum. The interplay of this group is what drives the four episodes to their soul grinding end.
As dark as the story is, it is compelling. The plot isn’t over-stretched and the performances all combine into a wonderful Greek chorus. It isn’t the best mystery, but it is a solid distraction and very much of its sub-genre.