There is something about stop-action animation that remains magical to me. I don’t know if it is the effort behind it or simply the way inanimate objects come to life when it is done right, but it captured me as a kid and continues to grab me as an adult. Until Laika Studios (Kubo and the Two Strings) came online about 10 years ago, the torch and almost sole standard bearer for stop-action was Aardman Studios and, in particular, Nick Park.
Park created the wonderful Wallace & Grommit, Shaun the Sheep, and a slew of advertisements and short films. Then, in 2005, tragedy struck when a fire wiped out nearly all the decades of models and sets Aardman had brought to life. What has followed that devastation has never quite hit their high mark, at least in long-form adult fare.
Early Man is no exception. If you love footy and have kids, this film is a riot. It is full of humor (adult and child) and has a sweet and empowering tale for all children. And, of course, it has a great animal sidekick, voiced by Park himself, that steals the film. The rest of the story, for adults at least, is fine, but not brilliant despite a well-known and talented voice cast. Most importantly, the animation is wonderful.
Where does it lose adults, or at least me? The movie starts off with cavemen and dinosaurs alive at the same time in order to tie in the great meteor strike to the plot (wholly unnecessary, but they couldn’t resist the dinosaur thing). Then it goes on to not think through its production design; the clothing is all whole, wild animal furs when all they hunt are rabbits for example. And, finally, it has several key script contradictions. Will kids notice any of this? Probably a tiny bit, but most won’t. However, it was effort to keep having to forget the errors as I was watching–and I love Park’s work. I will say the script does have a lot of fun British humor. Perhaps part of the challenge was seeing the movie after seeing the new Shaun the Sheep trailer, which looks so very funny and sly…and this film just didn’t seem to have the same level of intelligence and cleverness.
I’m not saying don’t go to this film. I am saying go with the right expectations. This is a fabulous film for young kids with enough humor for adults that it works. It just isn’t the classic I had hoped for, and always hope for, with Aardman Studios. Their technique is still great and their sense of whimsy still very much alive, but they need to get better writers on board to keep the adults fully engaged. Though, admittedly, Mark Burton, who brought us the wonderful and clever Curse of the Were-Rabbit and last year’s Shaun the Sheep Movie, was one of the primary writers on this feature. So it isn’t so easy to point to where this particular film went off-track. But go and support the art form and enjoy the escapism of it all. It may not be a classic, but it is still solid animation from a studio that is a master of the art.