I’m being very, very picky this season about broadcast TV. Just too much out there to watch streaming to add mediocre or underwhelming shows to my already long committed list. (Updated 23 Nov.)
Connors – I was impressed with how they handled the hard pivot into the post-Barr show. The show proved it could still handle hard subjects with a sense of reality and humor. Sure there is a political element keeping me here, but I am also being entertained, so win/win.
Murphy Brown – It doesn’t have the same snap and energy as the original, but it has guts and a great cast. The additions of Jake McDorman and Tyne Daily were inspired, and Nik Dodani is holding his own.
On the Bubble
Manifest – nothing particularly new, but nothing particularly frustrating about it at its launch. Curious enough to give it few more to cement its place in my schedule, but they have to get better writing, especially around police and fed procedure or it will be too painful to continue. And unless the uber-conspiracy vibe abates, it will be tossed like last week’s trash.
Charmed – it is as light as the first go-round, and without any of the charismatic star power of Combs and Milano, but it appears to have enough to survive. It could still fall victim to the axe, but it was one of the more complete pilots put out there this season. However, as the season progresses, it is clear they don’t have the chemistry of the first, and some of the writing and acting is a problem. This may fall even further to being axed.
Single Parents – the kids are great but the writing barely pulls it together by the end of each episode. We shall see.
New Amsterdam – intriguing characters, but a somewhat cookie-cutter formula with very weak research, at times. Whether it survives for me will be whether it can find some new take on the medical venue.
I Feel Bad – this came so close, but just doesn’t have the writing to sell it for me. The characters, particularly the gaming programmers, are just absurd.
Hang Ups – the cast is what convinced me to watch…the writing drove me away. It had its moments, but the lack of any sense of reality left it untethered and, ultimately for me, unfunny.
Magnum PI – not bad, but nothing overly compelling. To be fair, the original casts a long shadow and dims this reboot’s hopes.
REL – writing was weak and broad and just not landing for me.
God Friended Me – actually relatively good writing and acting, but I don’t see where this can go that we haven’t been before. Life’s too short to see it all again. Also, I’m not confident the message will be universal enough rather than targeted.
The Neighborhood – just a bit too forced, for all its moments of truth, to work for me for longer than a couple episodes.
Happy Together – despite the potential and the chemistry, just didn’t grab me. Two main issues: lack of credibility and the broad humor.
FBI – While there are a couple of great cast members, neither of those are the leads, who are wooden and the least credible special agents I’ve seen in a while. Add bad procedures, even if with clever plots, and this just isn’t up to the Law & Order level of interest.
Million Little Pieces – This latest This is Us cum 30-Something copy-cat has a good cast and writing with possibility, but was quickly becoming a slog of a soap-opera. Cast and writing or not, just didn’t need that in my weekly lineup.
The Kids are Alright – the writing and cast aren’t bad, but I am definitely not its audience. Too broad, too loud, and too silly.
The Rookie – Really, I’m only here for Nathan Fillion, Melissa O’Neil, and Richard T. Jones. It is possible this survives if it can find something to say without trying so hard, like the pilot did. I didn’t hold out much hope…and I was right.
The Cool Kids – a great cast and silly humor, but executed by a solid cast despite painful scripts at times. I’m gave it more time, but it never figured out how to use what it had to even make it a nice and empty weekly 22 minutes of escape. Just wasn’t worth the time.