OK, I can’t (and don’t want to) watch everything. But here are my initial impressions of the new crop of stuff after the first episode (or so). I’ll likely post what survived my schedule later this fall.
In no particular order:
I expected to really dislike this show, but it continues to surprise me. For all its weakness (usually around its broad humor moments), it is trying to ride the line of satire and homage and doing it well. In many ways it is more Star Trek than the latest Trek offering, which makes the timing of this drama especially interesting in contrast to Star Trek: Discovery.
Star Trek: Discovery
The franchise had a middling opening on the script and acting front, but no worse than Next Generation’s launch. It’s easy to forget just how bad the first season of TNG was, but it was really pretty bad. It survived due the vacuum of similar shows and went on to become something rather good.
Discovery is burdened by a future we know, so it really will be the characters that sell this, not the plots, per se. So far, the characters aren’t particularly compelling..so much so that even the first two hours didn’t elicit from me a gasp. And the technology and creature anachronisms are frustrating.
You can see the Bryan Fuller (Hannibal, American Gods) influence on the bones of this show, but his exit and subsequent rework by Paramount is leaving it in an uncomfortable place. The energy is odd and the sensibility feels at war with itself. It may find its feet over the season, but I can’t say the pilot filled me with curiosity to come back for more the way The Orville did. And by the end of the third episode I was left wondering if they were trying to remake themselves in the image of Babylon 5 (even more so than DS9 did).
There is a big universe for Discovery to play with, though it feels like a lot more of the same. That can be good and bad. TNG and DS9 both expanded the Star Trek universe in different ways to differing success with the same underlying issue. But is it worth a separate subscription fee to see every week? Right now, I’m thinking not, though if it were on free broadcast I’d probably give it more time. We shall see how it develops.
Weak start but with some stuff to build on. Unless the writing picks up, however, the story alone isn’t enough to hold it together or keep me coming back. Just too many medical gaffs and overwrought moments. It was good to see Antonia Thomas (Lovesick/Scrotal Recall) in a larger production to get her broader exposure. And, writing issues aside, while Freddie Highmore (Bates Motel) has created an interesting character in the lead, Graham Verchere as his younger self just isn’t up to the task which is weakening the story.
Surprisingly engaging for a spin-off tale. Keeping the Sheldon we know as a bridge definitely helps, but the solid relationships and struggles of the family are also well done. While the young Sheldon is good, Raegan Revord as his twin sister and Zoe Perry (No Pay, Nudity), as his mother are the real stars of this sitcom so far.
Me, Myself, & I
Had to see this for the cast and the conceit. As it turns out, it was better than I anticipated, though not brilliant. The 30 minute format is very tight for 3 characters across time every week. Very frenetic to follow. The potential is there. It is up to the writers to make it work. So far, they are not impressing me.
Will & Grace
Seriously it is like there wasn’t a 10 year gap, which is bloody impressive. From the opening moments through to the end, the show still has its original, ephemeral magic. You either love or hate, but you can’t fault it for maintaining the magic.
An incredibly weak launch to a show that had huge potential and one of the longest set-ups (via the Marvel movies and Agents of S.H.E.I.L.D) I can ever recall. Even the solid talent, like Iwan Rheon (Residue, Game of Thrones) and Ken Leung (Lost, Star Wars: Force Awakens) couldn’t overcome an obvious, plodding, and ill conceived story. The world is incompletely thought through, the rules nebulous at best, and with a depth measured in millimeters. While I will give it another episode or so to see if it finds its feet, after the end of the double-episode launch, I was gnashing my teeth at the ‘surprise’ ending. If it is emblematic of the kind of scripts, and it appears it is, that are to come, it isn’t going to keep me in attendance. And I thought Iron Fist was going to be the nadir with the hope that it would serve as the TV division’s Iron Man 2; I wish I’d been right.
Another incredibly weak start for an action/adventure in a crowded and over-worked field. I’ll give anything with Amy Acker (Much Ado About Nothing) a shot, but this only gets one more before a decision is made. Just too serious and too much of the same, even if it is spawned from one of my more favorite branches of the X-Men universe.
10 Days in the Valley
While intense, this is a slow burn of a train wreck and tragedy. It is good to have Kyra Sedgwick (The Edge of Seventeen) back on screen, but not sure I’m looking for this kind of a character and story at this time. I do have some police procedural frustrations with the show, but I could get over them. Really the issue is timing.
Great concept and some talent in the cast, including Linda Lavin, David Walton, and Liza Lapira. But the writing and directing are just awful. This one died on my list in the first episode. I didn’t even see any hope for it.
Kevin (Probably) Saves the World
I have to admit this one pulled it out at the very end for me…at least enough to give it a shot. It has that Joan of Arcadia feel to it, amusingly given Jason Ritter’s (Carrie Pilby) presence. It could quickly get tiresome, but they avoided some initial pitfalls. And I have to admit I enjoyed the heavy Amy Adams/Arrival vibe they gave the first episode. Still, it isn’t like we haven’t seen this story in the past (usually as horror) and their rules are squishy at best…either he is the only one or the other 35 meteorites anointed the rest of the gang and the rest is just for comedy. Will give it another round to see where it goes, but it will need to step up its game to keep me.
So this is The Orville of X-Files. It was just good enough in its launch to get another shot, but it only made it the first 15 minutes of the second. It just isn’t written well enough nor are the main characters all that engaging for me. I imagine it will find an audience out there, but it may not be enough to survive.
Wisdom of the Crowd
Probably the most attuned to the sense of the day and with a great conceit. Admittedly, it is a bit forced and it dances around the law quite a bit. But for all its weaknesses in credibility, it is terrifyingly willing to tackle some real social issues and technology. In addition to Jeremy Piven (Mr Selfridge) we also get Natalia Tena (Game of Thrones) to help drive it forward and both have some good chops to do so.