It’s become a tradition in my house to dive into the new TV season and see what’s there and what we can quickly get rid of. To my surprise, we turned off fewer shows before they’d finished than we have in years. Mostly that was because the writing was consistently better than the last several years. But I’m also looking to see something new in style or genre. There is plenty available on stream that I don’t need 5 hospital dramas on my list…unless they do something unique with it.
With that criteria, no shows made it to my must see list out of the gate either, which is also a first. There is potential out there, but nothing knocked it out of the park. The biggest concern I have for survivors is whether they can sustain the stories and, in at least a case or two, pull me in with good writing even when the characters just didn’t grab me.
As I moved items to the dumped lists, I did start to notice a trend of what I was bouncing, particularly in comedies. The common issue of interesting survivors was even-ness in the the writing and presentation. With comedies, this is the ability to slip from real to broad and back smoothly. Moments of reality keep even the broadest comedy anchored, but if you are whipsawed between moments without purpose other than to get a laugh, it feels too artificial and silly. If it is all broad or all real, you avoid the whipsaw, but also alienate segments of audience. The main point is to keep the experience smooth. It applies to drama as well. Evil, for instance, mostly worked…until the chaos agent came on screen and the whole tenor of the story shifted into a cliche and silly realm.
By the end of week three, only one new contender remained. And even that may not survive the full season. With that preamble, here’s how it all broke down…
One and Done
Bluff City Law
Wasn’t awful, but had nothing to grab me that was new.
Carol’s Second Act
Weak writing and directing…got old even in the first episode.
It had moments, and an interesting cast, but just nothing to grab me and keep me around.
A Couple and Out
Bob (Hearts) Abishola
This latest Chuck Lorre is clever, but the King of Queens vibe just isn’t my flavor. After two episodes, despite some great moments, I just didn’t enjoy the broader humor that surrounded them enough to keep coming back.
OK, surprised me with how well it was acted. Writing was a little uneven, and the main battle was quickly becoming tiresome. Without the Emerson role, I might has stuck around out of curiosity. But there is no where good that plot branch can go for me.
Burned out quickly, but was an amusing start with a lot of clever moments. I’m sure this will find an audience, but I’m not it.
Actually, this is well written and acted, but I know I’m not their audience. Gave it another opportunity to hook me, but it didn’t. Again, I expect it to do well without my viewership.
OK, it didn’t suck, but I see this going the way of most CW/DC shows, which is to say getting boring really fast. I can only handle that earnestness for so long…and while Ruby Rose (The Meg) is fine, she isn’t bringing anything new to the mythos and Dougray Scott (Hemlock Grove) spends his time just shouting. The one thing they did right was that they didn’t try and stretch out a couple of the big mysteries, exposing the obvious in the first episode and continued to admit big things as they went on. In the end, though, just not enough to keep me coming back.
Definitely part of the CW DNA of shows. Interesting start, but with an uncertain path forward to keep me interested. The Veronica Mars meets Scooby Doo (or Supernatural depending on how you interpret the story) just wasn’t for me. A shame as there is some talent in there.
Dubious on Survival Despite Some Positives
(assume these die within the next week or so)
Snappy writing has been keeping it around, but I don’t see it lasting for me. How many legal dramas do you really need in your life?
Hannibal meets Sherlock is fun, but we’ll see if they can come up with long-term arcs and value. But even if they do, the miscasts of Bellamy Young (Scandal) and Halston Sage (Orville) make it weaker than it might have been.
Like Prodigal Son, this is an anti-hero tale and fairly dark. The PI drama can work if the writing stays as strong as their first couple episodes. Next to Emergence, it is the most consistently written show so far and Smulders is really selling the character. Unfortunately, it is also veering into the realm of “everyone lies all the time” and larger conspiracies. I just find that exhausting and uninteresting as a show, regardless of any of its pluses.
Getting a Bit More Time
The complete reboot of this show that started last season really surprised. Now I want to see if they can sustain. It is silly and somewhat empty, but it has a light charm that has kept me around. And with no Miss Fisher on my horizon with my services, it is the only thing like it around.
Some sharp acting and mostly good writing and mystery are intriguing, but so much depends on the underlying truths and the willingness not to just stretch out the obvious. So far, so good.