Despite the foreboding title, this sequel to Shaun the Sheep is every bit as silly and sly as its predecessor, and with a bit more meat on its bones. It isn’t quite the depth of Nick Park’s Wallace & Gromit but it has more going for it than Aardman Studio’s recent Early Man.
Part of what makes this serving of stop-motion animation so wonderful is the complete lack of dialogue, outsides of grunts, sighs, and expressions of surprise and delight. Even without spoken words, we get an entire story of surprising breadth and depth.
Now it may be an absurdist tale of sheep and aliens galavanting about the countryside, but it holds together and manages to cater to both kids and adults in its references and actions. And for their first feature out of the art room to direct, Will Becher and Richard Phelan did Aardman Studios proud pulling it all together.
When you’ve some time to spare and just want to sit back and laugh, with or without young viewers by your side, this is a nice distraction. And, of course, the animation is a delight all on its own.