Yes, it’s a manipulative and predictable Romeo and Juliet riff, with cystic fibrosis as the wall between them, but it is executed relatively well if you’re in the mood for it.
Haley Lu Richardson (The Edge of Seventeen) and Cole Sprouse (Riverdale, but more amusingly Grace Under Fire) are an inevitable couple, far too sharp witted and special for their own good. But, of course, we root for them as they discover what’s really important in life.
My biggest gripe, outside of a few saccharine moments, is that the one gay character, Moises Arias (Ender’s Game), is there for comic relief and to serve other cheap purposes in the script. He did well with the role, but his existence felt forced. While I get that this was a standard love story with a twist, it’s a shame they had to make the story so patently non-inclusive.
That aside, there are some nice turns in the hospital’s staff championed by Kimberly Hebert Gregory (Kevin (Probably) Saves the World) and Parminder Nagra (Blinded By the Light). Both manage to take standard characters and provde them some depth.
This is the first feature for director Justin Baldoni (better known as an actor in shows such as Jane the Virgin), as well as a first script for Mikki Daughtry and Tobias Iaconis. As a first attempt, this is fairly polished and tight tale. It isn’t groundbreaking, but it is pleasantly distracting for a night of light romance with a bit of medical issues. It will be interesting to see what lessons all involved take into their next projects.