Four years ago, writer/director Takashi Shimizu (Ju-on, The Grudge) decided to tackle a horror tale in the air. I was intrigued, but it would be years before it would make it to any screen due to delayed releases, cancelled distribution, and other issues I’ve yet to discover (though the loss of Malaysia Flight 370 probably didn’t help his timing). The truth is that this is only a middling movie with a kinda fun idea crammed into less than 90 minutes. Its plot is a bit confused and its decisions more than a little silly and forced at times, enough to beggar credibility.
The structure of this story is familiar to any viewing audiences since Airport. To be fair, even Agatha Christie used the trope of setting up a bunch of interesting characters into a confined space (usually a remote house) and then letting events unwind. That said, Shimizu manages to create a certain amount of sympathy and tension with the story lines he takes time to set up before it all starts to go wrong.
Heading the cast are some recognizable faces (more so four years ago, admittedly). In particular are Leslie Bibb (Iron Man 2), Ryan Kwanten (True Blood), and Jamie Chung (Rudderless) who all get some nice moments, though far from fully fledged stories. You’ll spot other faces as well, but as much as this is an ensemble, the stories just aren’t rich enough to grab you.
If you were hoping for something as nightmare worthy as Ju-on, or its English remake in The Grudge, you can forget it. This just isn’t of the same caliber or imagination. I don’t know if that is because it was too Westernized in its approach or simply just a bit of a dud, which all filmmakers have eventually. It isn’t an unwatchable flick with a bowl of popcorn, but I’d put it way down your list for a day when you can’t find anything else.