Noir is, by its very nature, contrived. Odd shots. Stark shadows. Heightened situations and emotions. But in solid hands it can be a work of art. Gemini is not a work of art, despite the best attempts by Zoë Kravitz (Divergent Series: Allegiant) and Lola Kirke (Mozart in the Jungle). John Cho (Star Trek Beyond) and Michelle Forbes (The Hunger Games: Mockingjay) also bring some talent in small roles, but it is mostly wasted.
The film is filled with overly long, meaningless shots. Bad motivations. Odd plotting, and really bad costumes and hair for Kirke. Seriously, she should have screamed at them for what they did to her because it ultimately had no purpose.
This is not writer/director Aaron Katz’s first or even his fourth film, which makes it all the more disappointing. What he delivered is something like a large-budget university film. I can’t even say it has strong women at its center. It isn’t that there isn’t some good stuff in there, some hints of talent, but it buried in bad pacing and plot problems.
Generally, you can miss this one unless you’ve a jonesing for one of the actors.