Imagine a blend of John Wick and Bad Times at the El Royale, with maybe a dash of Terminal thrown in. Think a sort of hyper-real, female assassins tale. It isn’t quite as lyrical as it might have been, and the editing and timing were off for the first half of the film bringing down the energy, but it holds together and is definitely a fun ride.
At the center of it all is Karen Gillan (Spies in Disguise), in full Nebula voice, as a disassociated, abandoned woman doing the only thing she’s ever known how to do. And she does it very well. Things, of course, go wrong and she finds herself suddenly in the position of trying to do the right thing to balance out the voices in her head. This brings us to another wonderful performance by Chloe Coleman (My Spy), who has now lost her second chance at a big screen launch thanks to the pandemic, but who continues to impress.
Joining Gillan, from her past and present, are a collection of strong women fighters, cast as much for the abilities as they are for their past roles, providing a fun resonance. Lena Headey (Fighting With My Family), Michelle Yeoh (Boss Level), Carla Gugino (The Space Between Us), and Angela Bassett (Mission: Impossible – Fallout) make an impressive set of co-conspirators. And each gets their moment to shine. Paul Giamatti (I Think We’re Alone Now) adds a small bit of patriarchy for them to respond to.
This isn’t a perfect film. As I mentioned, the energy and timing are off for the first third to half. However, it does come together and has room for more stories. Much like John Wick, there is ongoing potential as the various levels of the onion get involved. For a bit of mayhem and girl power, spin this one up and enjoy the carnage.