This sequel is different than most. One of its most radical choices is that it discarded every film that followed the 1978 original, even those with Jamie Lee Curtis in them, to give us a different follow-up and one more fitting for the times. The depiction of a woman under threat and not being believed becomes a metaphor made manifest. The result is a bit more than a slasher flick…but not much. Though it tried to subvert that formula, it ended up bowing to the weight of expectation and gave in a bit too often.
Along with Curtis Judy Greer (Wilson) and Andi Matichak as her daughter and granddaughter add some generational expansion and views. And there is a host of potential and realized fodder with some nice talent throughout, including Virginia Gardner (Runaways) and Dylan Arnold (Mudbound) for some nice teenage hijinks. The rest of the cast is good. But then there was Haluk Bilginer’s (Rosewater) shrink, who fills the hole left by the late Donald Pleasence. Like Dr. Loomis, he is an obsessive with his own agenda. This is also where the script is at its weakest and moves the furthest from its updated feel. But none of it is far from the genre.
Director and co-writer David Gordon Green (Your Highness) was a mere 3 years old when the original Halloween hit screens in 1978 and spawned a 40 year franchise. Despite growing up with the sequels, he really managed to make it his own but with nods to both the original and the sequels as we knew them. Stylistically, however, it fits right in with the original. The script, co-written with Danny McBride (Hell and Back) and Jeff Fradley shows a real love for the series and the horror experience. It isn’t brilliant, but it manages a few surprises and some grounded aspects to its plotting.
As a side note, I’ve been watching a number of conversations about why horror is making such a come-back these days. One explanation is that horror is best experienced with others in a theater, that is more fun and satisfying that way. Sure, I’ll give you that, but I think it has more to do with our current state of the world. As with during the Cold War, people want safe ways to feel scared and in control. Then it was primarily scifi monsters. There is also a new trend in horror (Get Out, Quiet Place, It), that takes itself seriously as film, not just pulp. Halloween doesn’t rise to that level, though it certainly takes itself a half-step above pure slasher film by the end very cleverly.
For the heck of it, I also decided to see this in one of AMC’s new Dolby theaters, assuming that sound was more important than visuals for this kind of skin crawl and seat jump film. I have to say, the visuals and sound are pretty astounding. While it doesn’t quite have the visual scope of IMAX, it certainly has impact. If you’re wanting to try it out, pick a film like this one to try it out where you are less invested and think sound will be impactful.
But back to the film in question. If you like this kind of horror or just have a penchant for Halloween, you’ll have fun with this. I wish it had been a little more, but I definitely had fun and appreciated the result.