Everyone’s goto for humor is Hitler and the Nazi regeim at the end of WWII; funny stuff, right? How Taika Waititi (Thor: Ragnarok) got this film made, I couldn’t possible explain, but it is a wickedly funny gut punch of a movie. (Appropriately [and amusingly] I found myself watching this satire on the 30th anniversary of the fall of the Berlin Wall, which added to the schadenfreud of it all).
Everything you need to know about Jojo you get in the first 10 minutes (in one of the funniest, most absurd film openings I’ve seen in ages)… all the rest is journey. And what a journey it is, and not one you’re likely to get much ahead of during the setup. The resolution becomes inevitible, but with just enough room for doubts to keep it interesting. And his use of music to get his points across is, at times, genius. Unfortunately, it is also at times way off base, clashing with the onscreen sound and action.
While Scarlette Johansson (Isle of Dogs) and Sam Rockwell (Best of Enemies) provide some adult framework for the story, it is told through the eyes of children. Primarily that is through Roman Griffin Davis’s Jojo. For his first film, Davis carries the story admirably, with all the gravitas and sincerity a 10 year old can bring. Opposite him, Thomasin McKenzie (Leave No Trace) serves as the friction point of his decision-making, while another newcome, Archie Yates, provides some peer comic relief. Watching these three young actors is great fun as Waititi keeps them honest in all aspects.
There are some other fun side bits that run through the film driven by smaller adult roles. Alfie Allen (Predator), Rebel Wilson (Isn’t It Romantic), and Stephen Merchant (Fighting With My Family) have the best, but there are many. Waititi’s Hitler isn’t really among them for me. I understand why he took the role himself in order to hit just the right tone he had in his head, but it is an uneven performance.
Satire is hard. Waititi pulls it off in style, if imperfectly. The broad Monty Pythonesque humor will work for most people, while the political commentary may turn off others. However, this isn’t just Waititi playing silly buggers, it’s his reaction to the world today. He is far from the first to reflect that back to WWII, but, so far, he’s done it with the most belly laughs to get the point across.
So, yes, go see this and strap in for a wild, unexpected ride. While Preacher may have tried to get there, no one since Mel Brooks’ The Producers has managed anything close to the result here. It isn’t always easy to stomach, but it is one of the more unique films you’ll see this year.