Honestly, I wouldn’t have bothered with this if it weren’t for the fact that it won the Annies for best feature this year. I mean, seriously, a Christmas cartoon? As it turns out, I couldn’t have been more wrong and I’m even thinking it has a good shot at the Oscar.
It has been years since anyone has produced a holiday-themed animation that has risen to an annual must-see the way some of the old stop-motion animations of the 60s/70s did. But Klaus may have just changed the tide on that. It isn’t a musical bit of treacle like Santa Claus is Coming to Town. And it is more Hogfather in its sensibility and view of life than you’d expect. But it also tackles the season of retail and human nature in a beautifully honest way and weaves it into the story you expect…in ways that you really wouldn’t have predicted even as you see them becoming inevitable. But for all the intelligence and themes, it remains a children’s tale in the best of ways: it doesn’t talk down to them.
Sergio Pablos (who has spent years in animation and who previously helped write Smallfoot and Despicable Me) chose this as his first project where he was both writing and directing, and I can see why. It is a delicate balance of satire and sweetness that would have been hard to trust to someone other than the person who conceived it. Given that it took the top prize at the Annies this year, and it’s up for an Oscar, I’d say he was spot on.
Jason Schwartzman (Golden Exits) leads the cast with just the right amount of sarcasm and genunie feeling. He’s backed up by Rashida Jones (Spies in Disguise) and JK Simmons (Veronica Mars) with Joan Cusack (Welcome to Me) in a nice bit role. While the story is certainly an overblown fable, they all keep it grounded nicely. Simmons, in particular, has a slow evolution through the art and voice that is great to watch.
Klaus isn’t perfect. It is a bit rushed and hand-wavy in some of the story details. It has some inconsistencies. And, ultimately, it wraps up in a way that is heart-warming but, I felt, a slight cheat given the rest of the story you traverse getting there; but the story is what it is, so I just had to shrug and accept it (though honestly, seeing Klaus as a mildly schizophrenic widower was really fun for a while). Those are the reasons for dinging it just a bit on the rating. However, I can see rewatching this annually (along with Hog Father and Rare Exports, which are more to my holiday sensibilities) because it has a lot of great humor and it reminds you (with a soft hammer) what friends, family, and society can be if we just let them.
Bottom line: If you’ve avoided this because you thought it was just empty kid’s fare and not worth your time…rethink that opinion sometime soon.