Danishka Esterhazy (SurrealEstate) imparts a nicely dark sensibility into this suspense/horror with her directing and writing. It isn’t a story that really pays off believably by the end, but the trip to the end is taut and suitably creepy.
What really sells the story, such as it is, is a couple of the performances. Katie Douglas (Defiance) is the undisputed center of the story, along with Celina Martin helping to move it along. The two young women have great presence and nicely leveled deliveries. Peter Outerbridge (Code 8) also helps ground the pervading weight of the situation, even if his placement is predictable and self-conscious.
But some of the production is also over-the-top. For instance Sara Canning’s (Nancy Drew) Jackboot fetish styling is a bit much. And the mixed culture of the real bosses feels unlikely.
Ultimately, this is a silly sort of fun…if one can look at a story like this and the abuse of young women in that light; it is a horror film after all. Unlike many others of the genre, it doesn’t really deliver a message, only a creepy disgust of the situation. Part of that is that the science and logic are a little ridiculous. But part of it is also the intentional distancing of the characters and locality from its primary audience geographically. It makes it hard to connect with the situation.
Suffice to say this is a rainy afternoon flick, not one that fills a night in a satisfying way. And that’s OK. It was certainly interesting to see Douglas’ and Martin’s turns; I’d like to see what more than can do. Even Esterhazy impressed me with her ability to set a mood both in this and her television work. So not a total loss. Your call on whether you spend time with it.