John Le Carre stories are always complex and often dark. From The Night Manager to A Most Wanted Man to, well pick one, they are deliberate tales of behind-the-scenes espionage that reveal knowledge only as needed. Little Drummer Girl is no exception. But this time it is as much Mission Impossible as it is The Third Man. The focus of this series is what goes into becoming and surviving in deep cover. Well, that’s the main thread, there are plenty of political and other aspects of intrigue as well.
The cast, as always, is quite solid, but it is dominated by Florence Pugh (Lear) as the semi-naive recruit. Her path through the six episodes is convoluted and layered. I never quite buy her being confused or undetermined about her beliefs, but her emotional conflicts about people and survival are very real. Helping her along is Alexander Skarsgård (Disconnect) in a role that is nicely different from many of his others. His Gadi is quiet and intense, but not bombastic. Similarly, Michael Shannon (The Shape of Water) gets to explore interesting new territory as a ground-down spy and bureaucrat who is both exhausted and determined. While his contemplative nature remains, it is wonderfully crusted with life.
As with all the Le Carre tales, following all the motivations and politics is an effort, but it is part of what sets the stories apart. The attention to and adherence to details keeps the stakes high and visceral.
Like many of director Chan-wook Park’s (The Handmaiden) efforts, the pacing of this series is a bit slow, but never dull. And the new view into the world of spies and the era it is exploring will keep your attention to the very end.