Cute idea. Childish execution. Tina Gordon directed this movie as a Disney Channel special rather than as a feature release. The style and script, with co-writer Tina Oliver (Girl’s Trip), is very much a child’s view of the world rather than an adult learning about how to view the world as a child again.
It doesn’t help that Regina Hall’s (The Hate U Give) performance is so broad at the beginning at that I almost turned off the flick in frustration. There was no way this person would have still had a company with her behavior. This means that the movie started at a massive deficit…and I could never quite suspend disbelief because it was so obviously wrong. Issa Rae (Insecure) and Marsai Martin (Black-ish) help pull the movie back toward center, but never manage to make up for the the rest of the weaknesses even with their efforts.
People have been trying to recapture the magic that was Big for decades. The sentiment never really goes out of style, but while the general story is what people remember (even with the reversal), the filmmakers forgot that it was the chemistry of that film that really made it a classic. And no one in this cast matches Hanks’ vulnerability and charisma.