This is either an ignominious end, or a brave new platform from which, to relaunch what has been one of the most shocking and strong suspense/mystery series to come out of the BBC. Brutal, dark, and fun as always, this fifth series of Luther really got back on its feet, at least for the first three-quarters and a bit of it.
Luther has evolved over time. From the dark and twisted first season, into the hyper-violent second tale, the maudlin third and then the odd, bridging fourth, which was interesting but not particularly satisfying. This new, four-part installment gives us a story we are more familiar with, while adding some new faces.
Idris Elba (The Mountain Between Us) and Ruth Wilson (Mrs. Wilson) continue to drive most of the action, along with Patrick Malahide (Mortal Engines). But Wumi Mosaku (The End of the F***ing World), coming in as a wet-behind-the-ears detective under Luther’s wing, really gets to show her range as well. Mosaku has been typically cast as the jaded copper of late, but this fresh persona has lost none of her sharp intelligence or strength, providing an immediate and interesting focus in the story. And, of course, Dermot Crowley (Hard Sun), is still there to helm the ship in his odd and MI-6 sort of way.
The wonderful counterpoint of Hermoine Norris (Outcasts) and Enzo Cilenti (Jonathan Strange & Mr. Norell), both with each other and Luther’s cadre, is great fun to watch. The two are a dark dance of fun with many currents running below the surface.
As I implied, up till the final half hour, this is a great series. It isn’t at all clear where the story is going to go or how it will all go down, though you’ll have strong suspicions. The question, at the very end , is whether writer/creator Neil Cross wimped out or if it was simply easy set of choices to bring it all to a close. As of a few days ago, there are rumors it will continue into a series six, but in a very new direction. However, nothing has been confirmed.
If you like Luther, this is a must-see continuation of his and his department’s tale. If you haven’t discovered the series yet, start at the top and see if you can handle the oppressive weight of Luther’s world. This is not a light series, but it is wonderfully acted and, often, intriguingly written.