Noah Baumbach’s (While We’re Young) latest film is a wonderful example of what a unique eye can bring to a common situation in order to defy expectations, and how framing is everything.
Adam Driver (The Dead Don’t Die) and Scarlett Johansson (Jojo Rabbit) are riding high as actors this year with multiple roles receiving multiple awards nods. This effort is no disappointment. Together they create a wonderful and subtle story of a family weathering divorce while trying to remember how they got there, who they are, and what they really want.
This sounds depressing as hell, doesn’t it? And I won’t lie, it has its moments, especially thanks to Laura Dern’s (Wilson) and Ray Liotta’s (Pawn) portrayl of evil-incarnate divorce attorneys who assume all divorces must be blood baths. However, this isn’t Kramer v Kramer...because of how Baumbach framed the film. The overall effect he creates, and even much of the journey, is one of relief and hope rather than depression and anger.
Marriage Story is an homage to the institution and to love, while recognizing that it doesn’t always work out. But, as the story tells, that doesn’t mean it has to be a permanent disaster nor unending strife. Life goes on and, especially when kids are involved, a bond remains as a reminder of what was, even if the deepest emotions that created that life no longer apply.