There is something very sweet and true about Minari, Lee Isaac Chung’s latest tale. It has also been massively lauded out on the circuit. I can’t say, however, that I was as enthralled, though I wasn’t unimpressed.
Minari is a tale of an immigrant family. And there is a lot going on in Steven Yeun (Sorry to Bother You) and Yeri Han’s transplanted unit. While both of these actors deliver on their tightly wound and fraying relationship, it is Alan Kim, as their son, and Yuh-jung Youn (Sense8) who you’ll remember best. And I say that even with Will Patton’s (The November Man) truly off-beat, affable, bible-thumping intensity filling in the background. But unlike, say, The Farewell, it never quite acquires a full shape.
The experience of the Ye family is provided at an historical distance. We’re dropped into Arkansas of the early 1980s. Mind you, other than the clothes, cars, and some background news you probably can’t tell what era it is, and perhaps that is part of the point. But I wish it had been a bit more contemporary. It isn’t that bad things happen from a community point of view; this story is focused on the internal struggles of the family rather than society. In fact, the neighbors are relatively accepting and open to their new residents. And the Ye’s are not breaking any ground by arriving either. Because of all that I question the choice of era as it only serves to distance us from the events and provides no useful frame to the story.
That said, it is a beautiful and subtle film about the relationships. A father attempting to achieve his dreams at all costs. A mother trying to support her family and protect those around her. A grandmother overflowing with sass and love. And two children trying to figure out where they fit in the family and trying to buffer their parents. All relatable and all delivered with amusing and, sometimes, painful honesty.
There is a lot to be said for Minari and it should be seen. Compared to the rest of the field out there, I do think it is being more than a little over-hyped. Go into it with a moderated expectation for an insightful look at a family struggling to survive the challenges that come at them, and those that they bring with them.