Niki Caro (McFarland, USA) wasn’t a likely choice to direct this Chinese fantasy, but she pulls it off with heart, and not just a few wire tricks. More interestingly, she manages to bridge Eastern and Western sensibilities in the storytelling, arriving at a comfortable blend between Crouching Tiger, Hidden Dragon and any Disney princess film you’d like to consider, though perhaps Pixar’s Brave is a better point on that end of the spectrum.
I admit I went into this one full of trepidation. There were so many controversies around the release of the film. Starting with ill-considered tweets from its star Yifei Liu and then its direct release on stream. But, I have to admit it won me over. Donnie Yen (xXx: Return of Xander Cage), Li Gong (2046), Jet Li (The Expendables 3 ), Tzi Ma (The Farewell), Rosalind Chao, and Pei-Pei Cheng (Lilting) certainly added to the enticement to see the movie.
Mulan isn’t brilliant, but it’s fun and, most importantly, avoids the really bad choices at the end that it starts to swing toward. I was even surprised by moments. Admittedly, despite the well of talent, the performances are relatively shallow. The story is also far too easy and fast. But it’s full of action and visual distraction. It may be a bit confused in some aspects of its story, but it certainly took some chances by incorporating the Western and Eastern Phoenix tales into the story without much explanation or apology to the mashed-up mythos.
Basically, this isn’t a waste of time, but it isn’t one you have to rush to. And the more Chinese fantasies you’ve seen, the thinner this will seem. However, it delivers on its promise, if not with the depth or emotional impact you might have wished.