At the core of The Missing was the calming and obsessive Detective Baptiste, played by Tchéky Karyo. He was never the focus, but was the uniting factor of the series, and in many ways one of the more interesting characters. Well, now he has his own series. With the story solely on him, it is a bit lower energy but just as dark. Tom Hollander (A Private War) adds an interesting counterpoint, and a very complex character to the mix. And Alec Secareanu (God’s Own Country) provides a suitably evil opponent for both. There are some strong women in this series, and some damaged ones [Jessica Raine (An Adventure in Space and Time), Anastasia Hille (Tulip Fever), Barbara Sarafian, Talisa Garcia] but it is driven by the male characters.
There is a nice mix of mystery and suspense, though Karyo’s Baptiste seems to get to move with near impunity through the legal system of more than one country. But the show also continues the threads of his home life and past, which expands on what we know in interesting ways. Whether this show can be sustained over more than this limited story, I’m not sure. Karyo isn’t young and the character himself is winding down in his abilities as part of the plot. And the end of this clever and twisty six-parter was a bit rushed and, in some ways, forced. To their credit, it is satisfying and allows it to feel complete without closing the door to further stories.
Shakespeare and Hathaway (series 2)
The first series of this silly series was amusing…even more so if you know the plays of the Bard…but the mysteries were never brilliant. This second round is still fun, but the writing is much more hit and miss. In fact, the first half is painful at times, but they finally find their footing about episode 5. The main issue is more around police procedural and willfully stupid choices by characters. But this isn’t necessarily a show you want to over-analyze anyway. If you liked the first series, the second will happily distract you. If they can get more consistent writing, it has a chance for a long and amusing life.
Trapped (series 2)
The second series of Trapped takes on immigration and hate crimes on top of the delicate politics of country and family that the first series tackled. It picks up some time later from the first go-round, with some significant changes and some continuing tropes and battles. The mystery gets off to an immediate start and spins out from there intriguingly playing in the overlap between the far right and environmentalism. While the first series traps its characters literally, this series a more psychological reading of that title. Many first series characters recur and their storylines and tensions continue. The story itself unfolds very slowly, constantly going in new directions until the full tale is revealed and resolved.
Endeavour (series 6)
The latest 4 installments of Endeavour are coming back around to establishing the quirks and mannerisms of Shaun Evans’ (The Scandalous Lady W) titular detective. The last couple sequences laid some groundwork, but it was all inferred rather than direct. One of the things that made the first two series so great was watching Morse being born. This sequence really sets the stage for the relationship with Sean Rigby’s DS Strange and James Bradshaw’s Dr. DeBryn, as well as tackling some challenges with Roger Allam’s (The Hippopotamus) DI Thursday and Anton Lesser’s CSI Bright.
There are still a few years to go before the series hits the wall it cannot pass (overlap with the original series and the elevation of Morse to DCI in the 80s). With the next series, they launch into the 70s… but they could continue there for years at a paltry four episodes a go, which either means great news for lovers of the show or danger of spinning wheels and driving it into a hopeless rut. Given how carefully Russell Lewis has tended to Colin Dexter’s characters and has conspired to give us this early slice of Morse, I’m hopeful he can sustain the effort.
Shetland (series 5)
Shetland continues its travels with its characters and its dark mysteries across harsh landscapes. And, if its been a while since your last visit it may take a bit to get your footing with the characters and their relationships. Douglas Henshall’s (Collision) dark but seethingly emotional detective remains at the center of the mismatched family on the tiny and battered island. Mark Bonnar (Line of Duty), Steven Robertson (Luther), and Alison O’Donnell remain core to the story with him and to each other. In many ways, this is one of their best crafted seasons; it has a complex mystery with many switchbacks and character growth in parallel over the six episodes. Not that previous series weren’t equally complex, but this one felt the most evenly put together. Interestingly, series 5 is also journeying along similar ground as Baptiste and Trapped, taking on human trafficking as a core issue.