Nomadland asks two fairly simple questions: What is home? What is family? The answers, as we all know, aren’t that simple. Director and writer Chloé Zhao tackles the concepts in a quiet, but compelling exhibition that is primarily populated by real Nomads. The result has garnered a mountain of praise and awards notice.
Holding the various talking head segments together is Frances McDormand (Isle of Dogs), whose journey into the nomad life is told with barely an initial explanation. With David Strathairn (Fast Color) as a catalyst, we watch McDormand struggle inwardly until near the end when details are expressed. Though, to be fair, most of those are already understood by the audience, just not by her character.
For all its lauds, and its craft at pulling you along, Nomadland isn’t as good a film as I was expecting. I think McDormand has had better and more challenging roles. Strathairn is a somewhat unfinished and empty character. The stories and ideas we hear are interesting, but they feel like a documentary invaded the story-telling. Somehow it does come together, but it is best to watch this with no expectations, despite the hype that has been building around it over the last year. You’ll find it satisfying, but for a two hour narrative I think Zhao could have been more focused in her script.