For all its effort, cast, and moments, this movie never quite achieves liftoff, though it is sweet and panders wonderfully to Trekkies and sci-fi geeks alike. Dakota Fanning (Now is Good) carries the story well and manages to make her performance empowering and a touchstone for anyone who’s felt challenged by the world around them. Her character is also full of enough Trek knowledge to shame the best of us (or embarrass those of us who actually did know some of it to start with).
Toni Collette (Unlocked) and Alice Eve (Star Trek Into Darkness) work alongside Fanning well. Due to the character’s situation, there is little direct collaboration, but it isn’t unemotional. Two small roles worth noting were given life by Jessica Rothe (Happy Death Day) and Patton Oswalt (Freaks of Nature). Neither gets a full storyline, but their scenes are very effective, particularly Oswalt’s.
Michael Golamco (Grimm) adapted his own play for this script. The shift in media is smooth and there is no sense of a stage play lingering in the result. However, the story is somewhat…easy, for lack of a better word. And the timeline, particularly around Eve’s house and choices, is less than clean. However, director Ben Lewin (The Sessions) works well with the cast and the script to make it diverting and fun while still also providing some nice emotional punch. I could feel the movie teetering at the edge of something much better than it achieves, but it is still worth seeing and will leave you with a feeling of positive possibility.