At its heart, this is a movie about love. That is also a biopic about the creator of Wonder Woman and his bold choices in a repressed era becomes window dressing. Though, I have to admit, I will never look at Wonder Woman the same way again.
Luke Evans (The Girl on the Train), Bella Heathcote (The Neon Demon), and Rebecca Hall (The Dinner) pull off a beautiful triangle. They manage to bring to life the complex emotions, fears, and desires that drove and challenged the relationship they formed without making it puerile or cliche. In our current times, it is also a great lesson in moral fibre and learning to be who you are despite societal pressures or assumptions.
There are some very nice smaller roles that are worth noting as well, JJ Feild (Captain America: The First Avenger) in particular. On the sidelines are Oliver Platt (The Ticket), and Connie Britton (Beatriz at Dinner) that provide some intriguing bridging characters too, though we never really get to know them.
Writer and director Angela Robinson (D.E.B.S.) does something wonderful with this tale. She approaches it without judgement of her characters, but rather flips that to her audience and those around the unusual family. As her second feature, it is beautifully modulated and subtle. I will say that while the romance and personal aspect of the story is very effective and believable, Robinson’s other goal (layering on Marston’s psych theory as a structure for the movie) is less effective. It doesn’t distract or diminish the film, but it doesn’t really add much to it either. You can see the ideas, you can’t avoid them given the transitions, but I didn’t find them to build on or explain much either. Frankly, it is a minor criticism in this story as it is still character appropriate and adds some interesting structure, even if it is less than impactful.
Whether you know the history of of these people, or have an interest in Wonder Woman comics, this is a story that will grab you early and keep you intrigued. Marston was no ordinary man, nor were the brilliant women he had in his life. What is fascinating is just how little things have changed since their story began in the late 1920s.