I couldn’t help but think of Dark Star while watching this film, even though Prospect has much more action and story. The reason, I think, is that Prospect, like Dark Star, tries to show real life for the grunts out in the universe. In other words, it isn’t particularly quick-paced. However, it’s not a comedy, dark or otherwise. Prospect is a character-focused drama that takes place within an interesting world and set of challenges.
It is also, basically, a Western in space. Pedro Pascal (Equalizer 2) doesn’t even try to hide that…in fact, he leans into it massively. Pascal uses Christopher Caldwell and Zeek Earl’s first feature (as writers and directors) to deliver overblown homilies and colorful language that seem at once self-conscious and, somehow, wholly believable thanks to Pascal’s consistency and talent.
But it is really Sophie Thatcher, in her feature debut, that holds everything together as we get to know her and her abilities, not to mention rooting for her survival. She is a strong female character who has layers we discover over time. At first, with her father, Jay Duplass (Beatriz at Dinner), Thatcher is the supportive, if frustrated, daughter. But it becomes apparent rapidly that she has much more going on.
As I said, this isn’t a fast film, despite its action. And it isn’t a great film, despite its ambitions and delivery. However, it is a good film if you trust it. Enjoy the characters and the complicated world that is presented. Caldwell and Earl don’t insult you by explaining too much and they allow the actors to shade in their stories around the edges of it all. You do have to be a science fiction geek to want to spend the time, but if you are, it is worth it. I’d love to see what they come up with next; it is so rare to see a story like this that isn’t ham-handed in its world-building.