Like many, when I first saw Paris is Burning back in 1990 I was floored by the stories and the window into a world I only knew from the fringes. It is easy to think the world has moved on since then, but Saturday Church makes it clear the progress has been minimal in many ways, even though it is fiction rather than documentary.
In the lead is Luka Kain who, despite being intensely quiet, manages to hold the story and film together. He is surrounded by capable actors and singers, though most are unknown. Of that collective, it is Kate Bornstein who stands out as the matron of the titular refuge. She is understanding but strong, and incredibly charismatic.
This is a positive leaning, if open-eyed, look at the challenges and all-too-common tales of what it is to grow up gay or trans in a repressive household. As a movie it is passable, but its heart is solid and the original music surprisingly good. It is also a good bet for you if you find documentaries like Paris is Burning or Pageant intriguing.
Should the story move you at all, you can learn more about its real life inspiration (St. Luke’s in the Fields) and support it.